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A work for 2 part young voices with piano accompaniment. A nostalgic and tonal melodic setting of Charles Kingsley's lovely and simple reflection of youth versus old age. One may want to consider utilizing "Tell Me" as the opening selection in a three works presentation for high voices by Jeffrey Kaufman. The second would be "Young and Old" and closing with "Frolic". -
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Holocaust Remembrance:
This piece is a choral setting of a poem by Dan Pagis, who spent much of his adolescence in a concentration camp. This poem uses historical and biblical themes to cast light on violence and injustice. The words are simple and few, but they are powerful and rich with multiple meanings. -
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SATB choir with text based on a Shakespeare poem. -
A TTBB acapella setting of the A.E. Housman poem from "A Shropshire Lad". This is a sure to please work in the great tradition of the male glee club. When I was one-and-twenty I heard a wise man say, ‘Give crowns and pounds and guineas But not your heart away; Give pearls away and rubies But keep your fancy free.’ But I was one-and-twenty, No use to talk to me. When I was one-and-twenty I heard him say again, ‘The heart out of the bosom Was never given in vain; ’Tis paid with sighs a plenty And sold for endless rue.’ And I am two-and-twenty, And oh, ’tis true, ’tis true. -
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This is a simple arrangement of this traditional piece. It is mainly in unison with a beautifully harmonized ending. This arrangement also acknowledges Hanukkah & Kwanzaa. We wish you a Happy Hanukkah! We wish you a Joyous Kwanzaa! -
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This is a famous round (translated to: love live the music) that can be performed in 3 parts. It can be sung in three part treble voices, three part tenor/basses voices, or a mixture. Provided:- A one-page round with the entrances clearly notated
- A three-page version with the parts written out, and an ending where all parts finish together on a 3-part chord
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This is the Ultimate Valentine's Day round for ALL AGES! This sweet, lilting round works well for elementary, middle school, high school, and community choirs. In addition to the traditional purposes of a round (great for sight-singing, learning how to sing independent parts, etc.), this round is designed to focus on consonants that are frequently mispronounced or omitted as well as ones that frequently sound the same, even though they shouldn't. -
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The story:
Unborn Lullabye was written for my daughter, Lyla, before she was born. It is a lullabye that tells the story and shares the dreams that a first-time parent may have for their little one. I composed this piece over the summer of 2015. My wife was due with Lyla on October 6th. I knew I had planned to take off a few weeks from my high school choral position when Lyla was born. On September 21st, I had my first Monday evening rehearsal of the year with my Mixed Choir. I surprised them with Unborn Lullabye, which they loved. They learned the first version of it in about 30 minutes. My intent was to have it ready by the time Lyla was ready. I was so happy that my choir loved the lullabye and looked forward to continuing working on the piece all week. When I arrived home at 10pm, on a high, I sat down with my wife on the couch, sharing my experience of the lullabye..........she responded by sharing that she was having contractions. Twelve hours later, Lyla was born. -
Twenty-Four Hallelujahs, for SATB chorus with piano, is a simple song of praise in a rich harmonic setting. The single word of text, “Hallelujah,” is repeated in a number of variations and rhythmic schemes that deliver nuances of meaning in a way that the text alone cannot. At times the text is contemplative; in others it is jubilant and even forceful. -
Twas The Night Before Christmas A wonderful new tuneful setting of the classic story. Every word of the original story is sung! Can be sung as a Solo Vocal or SATB with Piano. Orchestrations available with the orchestra parts! Can be transposed into any key at no extra charge. 6 minute piece. View the famous story (entire text) at: Twas The Night Before Christmas -
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A meaningful choral piece for Treble Voices that speaks a "truth" "All we really own is one point of view And everywhere we go just confirms its true But when we lose our truth and it breaks apart, Then love will fill, will fill our heart."
